Although he mastered multiple printing media including wood-engraving, etching, and lithography, which he learned from his brothers, he received renown for his paintings in oil and in watercolor. However, there is much more to this work than simple tribute. Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group. The school spanned several decades from 1825 to 1875 and claimed in its ranks some of the finest landscape painters America has known. Here, Thomas discovered his true calling, to painting the "Cathedrals of Nature". His first national recognition as an artist, as well as his first large financial success resulted from his connection with Yellowstone. The images of the region were unlike anything he had ever seen, and he resolved to join the next party going west. Clearly no list of great works would be complete without the aforementioned, The Grand Canyon of Yellowstone (1872) and The Chasm of the Colorado (1874). Under the guidance of his older brother Edward, himself a renowned seascape artist, Thomas' artistic skills developed quickly, and within 18 months of his apprenticeship he was offered an alternative position as an illustrator. The couple had two daughters and a son. Both of these canvases put Moran on the significant artist list and allowed him to be taken seriously for his future works.

Thomas Moran American Green River Cliffs Wyoming Framed Wall Art Print See also the contributions of Frederic Edwin Church. Firstly, Fiercely the Red Sun Descending Burned His Way Along the Heavens (1876). After Cole's early death in 1848, a new generation of painters began to emerge in the group; artists who wanted to expand their subject matter to the emerging western territories of America and South America. "He returned from his journeys to create The Chasm of the Colorado (1874) which was also sold to Congress for $10,000; an enormous amount of money at the time. Moran's impact on Yellowstone was great, but Yellowstone had a significant influence on the artist, too. Certainly, Thomas' earliest influences were his older brothers, most particularly Edward, but he was also inspired by other greats of the time. This painting, today, hangs in The Santa Fe Collection of Southwestern Art in Chicago. It is easy to forget that landscape painting was not considered a respectable genre for many centuries, with artists focusing instead on religious topics as well as traditional portraits. He also began studying with local painter James Hamilton. Thomas Moran was a British-born American landscape painter of the late 19th and early 20th centuries. Moran's legacy is indisputable in the creation of Yellowstone National Park and the fact that without his amazing sketches and illustrations people would have never known what wonders there were to protect and preserve. Today it can be found in the North Carolina Museum of Art. It is indeed fitting that Mount Moran in the Grand Teton National Park bears his name. Illustration in watercolour remained his great love throughout his life. Thomas poured over illustrations of Turner's work endlessly and eventually, in 1862, he actually travelled to Britain with the express purpose of seeing and studying his paintings in close quarters. The members of the Hudson River School all passed away a considerable amount of time ago and therefore copyright should not be an issue to worry about when requesting copies of their work. That same year, Moran created the first of his epic canvases, commemorating his inaugural trip The Grand Canyon of the Yellowstone (1872).

There are, however, a couple of lesser known paintings that speak to the viewer of the man and his passions. At that time, he encountered illustrated books that included examples of the work of British artist J. M. W. Turner, who was to be a lasting influence on Moran's work.

Thomas Moran put a huge amount of detail into most of his paintings and a smaller print reproduction would unfortunately lose much of this. If this is not possible, it might be worth looking for an artist with an alternative, simpler style. All Rights Reserved. It would appear to be a masterclass in all of the major schools of 19 th century; from impressionism to luminism, from classicalism to romanticism. Famed for his Turner-esque use of colour and light, Hamilton later became the young Moran’s mentor, encouraging him to explore light and technique to broaden his already considerable skills. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West. For the next two decades, he published his work in various periodicals and created hundreds of large paintings. Others might even visit these locations and work with pencil in order to put together quick sketches of their own, before developing them into full scale paintings once they have returned home to their own studio.

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